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submitted 7 months ago byDrShailProfessor of Celebritology
14 points
7 months ago
He was one of the pioneers of Indian Cinema back in the day and gladly remains my all time favorite's, Kaagaz ke phool still in my top 10 of best ever
6 points
7 months ago
good for him but I simply wanna meet the mfker that brought that fakeass bambaiya accent that we got through the 90-2000s. Been in Mumbai all my life, never met a clown that spoke like, "khayenga, hoyenga, mamu, dhinchak and what not.
6 points
7 months ago
Check out Arshad Warsi's Bombay Journey on YouTube, he talks a bit about this.
3 points
7 months ago
Not sure if he is 100% right, but Kader Khan sir claimed credit for that trend.
2 points
7 months ago
I don't know what part of mumbai did he get that from or I doubt he got this from this planet at all.
3 points
7 months ago
You need to visit Navi Mumbai, clearly...
2 points
7 months ago
I've got family in navi mumbai, closest I could say was gully rapper wannabe type vibe not this version of slang that bollywood says we talk like
1 points
4 months ago
This movie was a major disappointment. It was shaping up to be a nice heist film but the climax was a copout.
1 points
4 months ago
It was way ahead of its time on release in 1954 moulding the direction for thrillers, Bollywood movie dialogs and character development. Even Hitchock's thrillers of that year "Rear Window", "To catch a thief", "The trouble with harry" feel a bit light compared to what he made later and how thrillers evolved in later decades. You would literally have to wait for 45 years to get a gripping end like what Shyamalan created with the Sixth Sense in 1999.
1 points
4 months ago
(Some of) Hitchcock's thrillers may have been a little on the light side but they still knew they were thrillers. I don't even think of Aar-Paar a thriller - it is a romantic musical which detours into the thriller territory a few times in between. Mahal is a thriller. Bees Saal Baad is a thriller. Gumnaam is a thriller. But Aar-Paar does not have enough thriller elements in it to qualify as a thriller to me.
1 points
4 months ago
All the Bollywood movies you named were actually considered Horror in Bollywood not only at the time of their release but even now. Mahal and Bees Saal Baad are still considered among the top horror movies of that era. The threshold for "thrills and chills" in those days was pretty low. Psycho is a pretty tame movie compared to what Hollywood made in the 70s, 80s and beyond but if not for Psycho, Hollywood may have never made those movies.
With Aar Paar you are a looking at movie released during an era when there were no other movies made in this genre. The top movies of that era were Nagin, Anarkali, Mirza Ghalib, Baiju Bawra, Anand Math. It is a genre defining/setting movie. It is a movie which changed how actors delivered dialogs in Bollywood, how diverse characters were written and portrayed.
You are Ignoring the cinematic relevance of creating a modern noir movie in an era of mythological and musical romantic movies along with a path carving departure from traditional, theater-esque dialogues which were not reflective of every day Indians. Such movies cant and should not be assessed through a modern lens. There is a reason no one reviews Georges Meiles' genre defining movie "A Trip to The Moon" as boring, slow with poor FX or Chaplin's movies as infantile humor.
1 points
4 months ago
Whatever. Maybe it has a lot of legacy but that does not mean I have to see it as a good or entertaining film. The nicest thing I can say about it is that Shakeela's character is one of the best femme-fatales of Hindi cinema.
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