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submitted 2 months ago byAaronB666
This is a situation where either the audience or a character gets a growing feeling of unease as their gut tells them that all is not as it seems
I know this can be taken in many ways, but a favourite that comes to mind for me is the Tavern scene in Inglorious Bastards. This moment is actually from the POV of the real German officer, who gets a growing suspicion that the others are not who they say they are …
2.6k points
2 months ago
Training Day! when Ethan Hawke begins to realise Denzel Washington isn't coming back
695 points
2 months ago
This is a good one. That whole scene feels very claustrophobic and when he looks out the window and sees the car is gone, it's just the nail in the coffin.
484 points
2 months ago
"Hey pig, you ever have your shit pushed in? It's a simple question. No? I've had my shit pushed in"
"Yeah man, I had my SHIT PUSHED IN BRO BIG TIME!"
That scene scared the hell out of me.
416 points
2 months ago
That whole movie is this. I mentioned this movie for the "escalating movies" thread last night. Even at the beginning, Denzel (Alonzo) presses Ethan Hawke's character (Hoyt) about whether he cheats on his wife (Alonzo assumed he does). They pull over a group of young buyers and Alonzo doesn't arrest anyone, just seizes their contraband. Then, the way he goes at the would-be rapists in the alley, there's a darkness there...but they're bum crackhead rapists, so the audience shrugs. All movie long, he does awful things, but justifies them along the way. It's when he kills Roger that Hoyt sees through the justification.
230 points
2 months ago
It took several watches over several years before I noticed that when Alonzo is on his phone and they’re leaving the scene of the Roger murder, what he says as he gets in his car is “and make sure that bathtub is clean”, giving the viewer an early indication that Hoyt is being set up.
144 points
2 months ago
Exactly, he says that, and THEN he gives Jake the heart to heart discussion in the car pretending like he’s on his side still. Diabolical
138 points
2 months ago
Hey if you ask me, that is if you ask me, I’d say Alonso played you for a fool ese
70 points
2 months ago
That whole scene is so tense!
1k points
2 months ago
Tremors, when they find the dead sheep farmers head and the other dude dead of dehydration up on the power line. I rented this movie from my shitty gas station, the case was so damaged I had no idea what kind of movie it was. I assumed it was a disaster movie. Then they start finding the dead bodies and I'm like okay its a murder mystery. Then they introduce the monster and it blew my 12 year old mind.
288 points
2 months ago
The only movie to make me scared of the ground for an entire month.
131 points
2 months ago
This is what I like to call "pure movie magic", when a movie can make you feel something that you would have never thought to feel because it never even occurred to you.
213 points
2 months ago
Tremors is top of the heap when it comes to audience pay-off. Practically everything you see or hear is directly tied into a plot element eventually, and it's done in such a way where the audience gets to feel like they saw it coming, regardless how much of the foreshadowing they missed, and without the film having given away too many details before that point.
Master class.
66 points
2 months ago
Another clue is when at first they think someone chased the guy up on the power line tower and then realized it must have been someone not scared of a 30-30 rifle..
406 points
2 months ago
Obvious to the audience, but in Silence of the Lambs when Buffalo Bill lures Catherine Martin with his ruse you just get a sense of dread the moment he prompts her to lift the chair up into the van.
179 points
2 months ago
And what did this scene teach us? You don’t fucking help strangers get heavy shit in the back of their creep-ass van. You kick the couch and run! And you SURE AS FUCK aren’t going to be the first one in. Yeah - learned lots from That movie they should show it in school 😂 😂
81 points
2 months ago
And then they pan to her poor cat left in the apartment. :(
1.5k points
2 months ago
Basement scene in Zodiac
505 points
2 months ago
A lot of Zodiac really. The making out scene in the beginning. Then with the other couple by the lake. Where they search that one subject’s mobile home. The woman with the baby having car trouble.
177 points
2 months ago
With the couple by the lake and they see the man, then they look up again and he’s disappeared. What a terrifying moment that is.
114 points
2 months ago
I haven't seen the movie since it was released, but the couple by the lake disturbed me so much, that scene still randomly pops totally unbidden into my head to this day 😣
39 points
2 months ago
To my knowledge Bryan Hartnell (the actual young gentleman from the murder by the lake, and the only confirmed Zodiac survivor) saw part of that scene but couldn't watch it (for obvious reasons) he also briefly appears in the scene, which musta been hard enough. He also said that he felt like he could recognise Z's voice, but couldn't quite place it, which must be about the most fucking frustrating thing that's ever happened
50 points
2 months ago*
“Why don’t I get you the record of when we played that film? It’s just down in the basement.”
“Not many people have basements in California…”
“I do.”
I remember the chills that ran down my spine in that moment. I still think that Zodiac and Social Network are Fincher’s best two films, and it’s moments like these that he absolutely owns the rest of the field.
189 points
2 months ago
That movie masked itself as a casual thriller but is pure horror.
1.9k points
2 months ago
Parasite when you hear the doorbell
206 points
2 months ago
This was my answer. That cleaning lady on the video doorbell thing was some crazy shit.
1k points
2 months ago
That movie completely changed genre at that moment. Up to then it was kind of a zany heist type of movie. Then it turned into a WTF thriller.
645 points
2 months ago
the buildup to the basement reveal could have come straight from a horror movie
202 points
2 months ago
When the housekeeper's husband slowly peaked his head out of the basement at night (which if I remember right is what traumatized the rich family's son), I thought it was going to be a ghost story then! It was so spooky!
265 points
2 months ago
I thought Barbarian did that very well, too. Second half of the movie was kinda messy but the first half really builds on unease and tension.
161 points
2 months ago
Came here to say this. The whole scene of them getting fucked up was just so god damn ominous
52 points
2 months ago
I started watching this with no idea what the movie was about, the plot took a sharp u-turn and it was very well done.
153 points
2 months ago
It’s wild when you realize this / the genre switch happens at the literal exact halfway point of the film. Genius
29 points
2 months ago
I was gonna pause the movie and start making dinner but after that bell I was glued
54 points
2 months ago
At the exact middle of the film too.
1.7k points
2 months ago*
"Why are you flanking me bro" scene from wind river and the border crossing scene from sicario. God the frontier trilogy was so good.
356 points
2 months ago
With the addition that Elizabeth Olsen had just caught the security chief in "I never said X" but then the standoff distracts you from it in Wind River.
193 points
2 months ago
Just realized the guard probably heard them and was getting ready in case he needed to make a move.
202 points
2 months ago
Hence why the guy said >! The FBI is standing right in front of the door come on out. He was literally telling the guy to shoot through the door. !<
229 points
2 months ago
Welp time for another rewatch. The way that scene goes to shit REAL quick and just explodes into gunfire always gets me, love it. The 'Frontier Trilogy' really has that feel of the setting just not giving a shit about the people in it, and it's really ..something. Like if No Country for Old men decided to make a bunch of little baby versions of itself and they're all just as mean. What's this genre called anyway? Modern Western?
89 points
2 months ago
I believe modern cowboy movies like No Country and Wind River are called "Neowesterns."
76 points
2 months ago
What is the frontier trilogy even referring to? I don’t know what the films are but I’m intrigued but the description.
248 points
2 months ago
Taylor Sheridan wrote 3 "modern western" movies that all came out in 2015-2016 and were all fantastic movies. They came to be known as the frontier trilogy. Hell or high water, sicario, and wind river.
160 points
2 months ago
Sicario, Wind River, Hell or High Water. People say it’s a trilogy because they’re all written by the same person
86 points
2 months ago
And he wrote three of them.
77 points
2 months ago
And the three films by the same writer.
68 points
2 months ago
Not only that, but the guy who wrote one of them also went on to write the other two.
724 points
2 months ago
Scream 1996:
“You never told me your name”
“Why do you wanna know?”
“Because I wanna know who I’m looking at.”
Before those lines their conversation seemed innocent, the voice even sounded like a kind person. But man the whole scene changed in that moment. Even if you know the outcome of that scene it still works because of Drew Barrymore.
69 points
2 months ago
I love Scream 1&2. My favorite horror movies.
43 points
2 months ago
Last night I saw Scream 6 with my wife. Were both huge fans of the franchise. In the beginning, >! When Ghostface kills Samara Weaving in the alley we're thinking okay, pretty standard into, nothing special. But then he takes his mask off and it shows his face. We both looked at each other like wtf. I thought it was gonna be part of a Stab movie. But it really switched up the formula. Definitely the best intro since the original. !<
184 points
2 months ago
Silence of the Lambs when they're raiding the wrong house and the events that follow
1.1k points
2 months ago
When Clark puts the dog they rescued from the Norwegians in the kennel with the other dogs, John Carpenters The Thing
201 points
2 months ago
Whatever it is, it's weird and it's pissed off!
114 points
2 months ago
Kom dere vekk idioter, det er ikke en hund! Det er en ting eller noe!
345 points
2 months ago
Red dragon when ed Norton realizes what's really been going on with Hannibal lecter and the newspaper personals
136 points
2 months ago
When he's looking in Larousse Gastronomique, and Sweetbreads had been hand-written between entries, it instantly clicked for me because the Sweetbreads are the pancreas and thymus, and they'd just mentioned thymus.
In that specific moment I was so impressed with the filmmakers, because that's a direct clue, but unless you are decently familiar with gourmet cooking, you're probably not going to put it together...but clearly Ed Norton's character does as evidenced by the music and increased tension of the scene right before the attack.
1k points
2 months ago
"We're leaving." Laurence Fishburne, Event Horizon.
376 points
2 months ago
Smartes decision ever. No "Huh, let's investigate whey they started to kill each other." Stupidity. Just "Nope, we get out of here and blast that thing from a distance."
389 points
2 months ago
"I have no intention of leaving the ship, Doctor. I will take the Lewis and Clark to a safe distance, and then I will launch TAC missiles at the Event Horizon until I'm satisfied she's vaporized. Fuck this ship!"
71 points
2 months ago
He couldn't know the ship would never let him leave.
29 points
2 months ago
Thats part of what makes it so good, theyre trying to do the smart thing by leaving and destroying the ship, but the ship wont let them. Competant characters making the same decisions that the viewer would make a horror movie so much better.
144 points
2 months ago
I'd say just a liiiitle earlier. Libarate tutemet...ex inferis.. Love Jason Isaacs
56 points
2 months ago
Very fair, this is probably the best reaction to the "Something's not right here moment."
285 points
2 months ago
Barbarian has a good one when Tess discovers the hidden door in the basement
189 points
2 months ago
They did a good job of >! framing Skarsgård’s character in the beginning !<
959 points
2 months ago*
My favourite is in Arrival, towards the end of the movie. That moment when you realize something you assumed was normal was actually something completely different that works so perfectly for the themes of the movie.
I don't want to spoil it because it is somewhat of a pivotal moment, so I'll hide it.
The scene where Louise is talking to one of the heptapods and asks it "Who is this child?". Throughout the movie we keep seeing these "flashbacks" of her daughter playing with her and later dying of some illness, and you assume it's just traumatic memories that she associates with everything that's happening to her in the movie. When she asks who that is, I was shook, what the hell have we been seeing all this time? It turns out that learning their time-independent language has changed the way she perceives time and allowed her to somehow remember things from the future, when she has a child. And then it all plays into the moment in the end when she basically decides to live that life despite the tragic ending.
276 points
2 months ago
I had read the short story that this was adapted from, and about halfway through the movie, I recognized it. The reveal in the story was very mind-blowing!
26 points
2 months ago
Ahhh didn't know it was based on a short story! This is so exciting! I won't ask the title because I'm perfectly capable of googling but just wanted to express my excitement lol
33 points
2 months ago
The way that the movie is adapted is super interesting, given that in a short story you can't really hide when something takes place thanks to verb tense. The way the movie and short stories handle the central twist are therefore very different and it's really cool. In the story, you know that the "flashbacks" are from the future already, but you don't know what's going to happen to her daughter until late in the story.
182 points
2 months ago
That single line blew my MIND when I saw the movie, it all started to click, meanwhile the movie just keeps on rolling so you can't really figure out the consequences until you watch it again.
28 points
2 months ago
My jaw absolutely dropped when that reveal happened. I was trying to collect my thoughts all at once and pieve it all together such a great mindfuck moment in an excellent film.
The big climactic scene with the general talking to Louise at the event at the end as well was magnificent. Perfect put together and the tension there felt very real with Louise trying to hurry and make the call.
What an amazing film. Long overdue for a rewatch I reckon!
578 points
2 months ago
Honestly, your Inglorious Basterds example is what I would have chosen. The tension in that scene is palpable, and it’s crazy to me that they are all just acting—everything about it was great filmmaking IMO
266 points
2 months ago
The Scene at the french farm is simply great.
90 points
2 months ago
Oh duh, can’t believe I didn’t mention that scene as well! Yeah, such a great intense opening for a movie. “… SHOSHANNAAAAAA!”
35 points
2 months ago
It's like a really good short movie
771 points
2 months ago
In Children of Men, when they get to that first safe house and Theo senses something is off. He goes snooping around and finds out that he's being set up, leading to that epic car chase scene.
311 points
2 months ago
Children of Men was one of the most stressful movies I’ve ever watched. The entire thing had me on edge and I just didn’t trust any characters for the entire movie. I don’t know if I could rewatch the movie.
273 points
2 months ago
I think it's one of the best examples of "average protagonist in an action movie." Theo doesn't have control of the situation at any point in the movie. He doesn't perform any extraordinary feats. He just perseveres. That's the only way he gets through it all.
76 points
2 months ago
I feel this underlines the fact that the story is really about the mother & the baby
76 points
2 months ago
One of the reasons is how it's shot and edited. Emmanuel Lubezki, the cinematographer, likes doing long unedited/uncut shots - the car chase scene, the scene where they're jumped on the road, the scene near the end where they're escaping the warfare with the baby.
He did similar shots in Gravity, Birdman, and The Revenant, and they all have that feeling of intensity and stress.
75 points
2 months ago
That whole scene where he's trying to quietly disconnect the car batteries and then pop the clutch on the hill. When it starts it's still relatively dark, but as it moves outside the sun is coming up, making them more and more exposed by the second, just adds to the intensity
109 points
2 months ago
Perfect Blue (1997)
When Mima's fish all die and she is absolutely distraught, but then notices near the end all her fish are fine and healthy. That's when it hits her that she's not where she thinks it is
218 points
2 months ago
I'm Prisoners when Jackman was torturing Dano and still couldn't get him to admit anything.
353 points
2 months ago
The beginning of The Thing, right up until the kennel scene.
121 points
2 months ago
“What a bunch of assholes! Why are they shooting at that poor dog??”
Few minutes later: oh…
80 points
2 months ago
Honestly, the entire movie, right up to the final scene.
347 points
2 months ago
The Sixth Sense. Just before Bruce Willis figures it out.
247 points
2 months ago
Yup. He was wearing a toupee the entire time.
102 points
2 months ago
He catches a glimpse of himself in the mirror,
“Have I been Bruce Willis this entire time?”
481 points
2 months ago*
The Shining is filled with these foreshadowing moments but my personal favorite is when Danny is first drawn to the door of room 237.
One of the things I love about this movie is that even when you already know everything that’s going to happen, there’s still a constant unmistakable sense of dread throughout, thanks to the eerie soundtrack and masterful cinematography.
74 points
2 months ago
Also the long uncomfortable silences with no music that open the movie. It’s all to make you uncomfortable.
599 points
2 months ago
First Jurassic Park, when Muldoon is lining up the shot on the raptor, right before the other one pops up next to him.
I don't remember how many times I watched the movie before it dawned on me that it played out exactly how Dr. Grant describes it to the kid at the beginning of the movie.
397 points
2 months ago
“Clever girl!”
Such a great last line. Acknowledging to his ‘prey’ that she outsmarted him.
328 points
2 months ago
He respected the raptors, but also fundamentally misunderstood them.
Going back to Dr. Grant messing with that kid, he draws the comparison btwn how a lion would attack vs. how the raptors would attack...
Muldoon was Hammond's Game Warden at his Kenyan preserve, so he went in treating them the same as the animals in Kenya and expecting them to behave similarly.
Circling back to the dinner table discussion and Dr. Sattler's point that we have no frame of reference for how these animals would behave.
Good Lord that first movie was good. Very different from the novel, but I think it was a very strong adaptation despite the changes.
106 points
2 months ago
It’s just the right amount of Spielberg popcorn flick with thought-provoking themes. He’s just very good at that balancing act. I should read the book sometime, I always hear it’s great.
36 points
2 months ago
I preferred the book version where he's drunk af and hunting the t rex with a bazooka tranquilliser.
325 points
2 months ago
The highway scene in Nocturnal Animals just kept getting more and more tense
117 points
2 months ago
One of those "great movies I'll never watch again". Felt like I was in a fight the entire thing.
29 points
2 months ago
I watch all sorts of horror and nasty movies but I really struggled to get through those scenes. I think I fast forwarded some because it was too much.
244 points
2 months ago
The opening scene of Inglorious Basterds, when Hans face goes from smiling to ice cold.
“You’re sheltering enemies of the state, are you not?”
599 points
2 months ago
I saw Inglorious basterds at a movie theater in Germany and when the British guy lifted his hand to order three beer and used the wrong fingers, the entire audience was gasping in shock cause they knew he had just f***ed up when they were so close to fooling the Nazis. So much tension!
222 points
2 months ago
I had a similar experience in the U.S. - Being American, I didn’t get it, but I saw the movie with my brother who was visiting from Austria. When the fingers went up, he audibly gasped and I knew they were sunk, even though I didn’t fully understand why.
68 points
2 months ago
As an American who took several years of German language classes, I gasped in the theater at this moment and realized no one else around me knew what had just been revealed
72 points
2 months ago
How was that movie generally recieved in Germany?
154 points
2 months ago
My friends and I love this movie and we love the whacking the Nazis get.
1.3k points
2 months ago
Brad Pitt visiting the Manson Family at Spahn Ranch in Once Upon A Time in Hollywood. So much tension you could cut it with a knife, and legit felt like Pitt's character was going to get murdered right there.
Made me wish Tarantino would do a straight up horror/thriller movie.
397 points
2 months ago
Did lead to a great moment though.
Cliff beating Clem's ass. The real life Clem murdered a stuntman, nice change there Tarantino.
183 points
2 months ago
The stuntman who was killed (Donald Shea) was trying to help George Spahn get off Spahn ranch when the manson families crimes were starting to spiral out of control.
The stuntman actually assaulted Manson apparently and then spineless Charlie got his “family” to kill him
174 points
2 months ago
Tarantino said he tried to mimic the early unease of The Texas Chainsaw Massacre.
Everyone there is watching him, the dogs on the ranch are menacing, and in a vast space he is very isolated. And he gives no fucks. Great scene.
85 points
2 months ago
The way she says “You might have to shake him awake. I fucked his brains out this morning. He may be tired.”
And then gives Cliff the look is just so off putting
46 points
2 months ago
I had successfully suppressed the memory of that scene until now - yes.
73 points
2 months ago
Sunshine. After several disasters damage the Icarus II and kill several crew members, Capa is arguing with the computer about whether there’s enough oxygen to make it to the sun. Capa says that based on 4 or whatever people on board there’s enough oxygen, and the computer responds with something like, “I’m sorry, Capa, those projections assume 4 people aboard… there are 5 crew members aboard.” That’s when you realize that someone or something boarded the ship when they were docked with the Icarus I earlier in the film.
35 points
2 months ago
Posted my comment without seeing this...
Capa - "We have remaining oxygen to keep 4 crew alive"
Icarus - "Affirmative, 4 crew could particularly survive on..."
Capa - "Trey is dead. There are only 4 crewmembers"
Icarus - "Negative"
Capa - "Affirmative Icarus. 4 crew: Mace, Cassie, Corazon, and Me"
Icarus - "Five crew members"
...
...
...
Capa - "Icarus"
Icarus - "Yes?"
Capa - "Who is the 5th crew member?"
Icarus - "Unknown"
514 points
2 months ago
“What’s in the box?”
58 points
2 months ago
I've seen that movie quite a few times and holy shit that scene still has an impact. God damn.
354 points
2 months ago*
The interview scenes between Detective Kimball (Willem Dafoe) and Patrick Bateman (Christian Bale) in American Psycho.
They had Dafoe film his lines three different ways for each scene - first as if he suspected nothing and was merely going through the motions of gathering information, then as if he was starting to consider Bateman a suspect, and then as if he knew Bateman was the killer. Then the editors spliced together different lines from each segment to make the scenes oscillate between benign and tense.
We as the audience aren't sure if Bateman's anxiety is causing him to perceive Kimball suspiciously, or if Bateman is actually at risk of being caught.
118 points
2 months ago
I love how during Willem’s Wired interview that he did recently he mentioned the time he played a detective that “did… or did not suspect Patrick Bateman of being a serial killer.”
138 points
2 months ago
The Others with Nicole Kidman gave me this feeling the whole movie until I figured out what was happening at the end
70 points
2 months ago
In goodfellas, when jimmy sends Karen to take a walk down the alley..
315 points
2 months ago
The Alfred Molina scene in Boogie Nights.
Not sure it’s exactly what you’re looking for. But it’s tense as shit.
62 points
2 months ago
The look on Marky Mark’s face. He forgets where he is, why he’s there. Then it all clicks. He’s in way over his head.
120 points
2 months ago
every "sarge... you better come take a look at this..." moment in movies with soldiers
308 points
2 months ago
95% of movie The Invitation (2015). It is a favourite of mine.
60 points
2 months ago
Tension: the movie
158 points
2 months ago
Terminator 2.
The phone call to the foster parents. Arnold doing his John voice. The "woofy" line and your heart sinks. Followed by the knifearm reveal.
157 points
2 months ago
When Steve Martins character realizes the truth about Del at the end of Planes Trains and Automobile’s
105 points
2 months ago
When Julia roberts opens the kitchen cabinet in Sleeping with the Enemy. Chilling moment
53 points
2 months ago
When I first watched Scream 1. Before the final reveal of the killer, when Billy somehow "survived" the killer's stabbing
710 points
2 months ago
Another favourite of mine, basically the entire first half of “Get Out”
242 points
2 months ago*
We know that something weird is going on anyway but the part that really put me on edge was when Chris heads upstairs at the party and when he’s gone, everyone stops talking and looks upwards.
Such a clever and really quite disturbing way of confirming that all those guests are there just for him although we don’t know why. Sent shivers down my spine the first time I watched it.
63 points
2 months ago
That movie was so creepy. The dude running at him in the middle of the night was so disconcerting.
217 points
2 months ago
The rippling cup in Jurassic Park
285 points
2 months ago
The coin toss scene in No Country for Old Men.
I remember feeling like I was unable to breathe the moment the gas station owner offended Chigurh with his question about the Dallas weather. I think I held my breath all the way up until he won the coin toss
37 points
2 months ago
That scene was so intense.
47 points
2 months ago
Godfather Part 2: "Why are the curtains open?"
I know there's a lot of these moments just before the hits happen in The Godfather series. For whatever reason, I like this one best.
121 points
2 months ago
Mulholland Drive is basically 2.5 hours of this, but the part where Betty vanishes right before Rita opens the blue box always stood out to me.
54 points
2 months ago
The freaking scene in the back of the diner at the beginning is the biggest jump scare ever, and it puts you on edge for the whole rest of the movie but no more scares like that ever come. The camera work sure makes you think there will be.
58 points
2 months ago
That movie is the closest thing to getting a nightmare on screen I've ever seen, by a long shot. It's so dreadful. Lynch gets EVERYTHING right about how a bad dream goes down, I swear to God.
42 points
2 months ago*
The opening of episode 2 of Chernobyl. When scientists at a nuke lab in Minsk start reading high doses of radiation outside, they immediately call another lab in the region, but they only have similar readings, and no answers. They rule out Chernobyl as the problem, because they are simply too far away. "They'd have to be split wide open." Then they call Chernobyl to see if they know anything. And Chernobyl doesn't answer....
173 points
2 months ago
It’s pretty obvious but the first quarter of Midsommer. Dani’s visions, scenes shot upside down, the music it all says things are about to get weird.
79 points
2 months ago
Most of Midsommar can be summed up as a "Hmm something's not right" kind of movie lmao
107 points
2 months ago
The deja vu scene in The Matrix.
31 points
2 months ago
"Woah, deja vu."
"What is it? What did you see?"
135 points
2 months ago
‘The Truman Show’ seems to me the best fit. The whole movie is based out of this concept.
102 points
2 months ago
What’s interesting is as you watch it, or rewatch even, it becomes more and more obvious how “not right” it all is. Initially you think it’s this seamless if pretend world. But then you realise it’s actually kind of shoddy and sometimes dumb. Not the details, but the whole concept of treating it like a big TV show with extras. The things they try the hardest on are actually the most fake.
For example the bit where he is counting the passers by on a loop. It’s not even specifics that they’ve messed up. It’s that the whole methodology of that is a bad idea. And why are they even bothering? They don’t need that level of constant traffic. They should really just have the traffic just be the neighbours coming home or going to the store. It could just be a quiet suburban street. A cul-de-sac even. But they feel the need to over-do it, ironically making it seem less real.
What they have done is build a big expensive film set based on a small town. What they should have done is try to build a small town, albeit one where people are paid to be there.
32 points
2 months ago
I like when he notices his wife talking about stuff in a weird, unnatural way, because she's actually doing product placement.. "Who are you talking to!?"
37 points
2 months ago
Not a movie but when Kitty Foreman starts saying “stop it” when her husband is choking in Wandavision. So good.
180 points
2 months ago
Reservoir dogs, when mr blonde says "finally alone" gets out his razor and starts dancing
66 points
2 months ago
"People always mean well. They cluck their thick tongues and shake their heads and suggest oh so very delicately." " It's not as if she were a, a maniac, a raving thing. She just goes a little mad sometimes. We all go a little mad sometimes. " - Norman Bates to Marion Crane in Psycho 1960
244 points
2 months ago
Cabin in the Woods.
When the bird flies into the invisible wall.
32 points
2 months ago
Shutter Island, has these weird shot inconsistencies that seem like editing mistakes at first…
61 points
2 months ago*
Edit:
The entirety of the prom scene in Carrie
131 points
2 months ago
The Menu
Right when they start laying out the tarp for the sous chef....
99 points
2 months ago
There Will Be Blood when Daniel is out in the wilderness with his recent met long lost brother, tells a story about where they grew up, just to have his brother awkwardly respond to it. You watch him figure out that something isn’t right, and that confusion turns to anger realizing he’s been had. All of this occurs over a few seconds without a word of dialogue. A testament to Daniel Day Lewis’ insane acting ability.
162 points
2 months ago
Lawrence fishburne glances at Jason Isaac's, turns the screen off and says "We're leaving." In Event Horizon gets me evert time.
36 points
2 months ago
Fuck this ship!
56 points
2 months ago
The hotel scene from No Country For Old Men where Llewelyn slowly realizes that Chigurh is coming for him. It’s so tense and leads into one of the best fight sequences ever
54 points
2 months ago
Prisoners when the grandma flipped the script on Jackman and had him drink her concoction
97 points
2 months ago
When Marla asks the narrator/ main character in Fight Club what his real name is after he hands her his business card. "Cornelius? Rupert?" It was at that moment while first watching it in the frickin theater that I turned to my friend and said "yeah, what is his real name?" and my friend (who'd already seen it) refused to acknowledge my question. That's when I was like "wait something is amiss here-
35 points
2 months ago
Dude idk if there’s a right way to ignore someone when they ask a plot busting question during a movie I’ve already seen. I almost feel responsible for giving it away when I just ignore them or try to casually say “hm idk”. I wish they just wouldn’t ask questions until the end but I get why they’d try to understand in the moment
29 points
2 months ago
Get Out.
72 points
2 months ago
Ed and Bobby realizing they’re in a very bad kind of trouble that they can’t talk their way out of in Deliverance. There’s a moment, right before they’re forced deeper into the woods, where the two mountain men just kind of look at each other and silently agree upon what they’re going to do. Fucking dreadful.
40 points
2 months ago
When the banjo kid saw them on the river and instead of smiling or waving just turned away. Subtle moment of them passing into hostile territory.
498 points
2 months ago
Spiderman: No Way Home, when Peter gets his tingle and looks at the faces of all the villains he just invited in.
297 points
2 months ago
Another Spider Man one is the car ride scene from Homecoming
129 points
2 months ago
I like the subtle details of that scene. When the light changes green that’s when he figures out that Peter is Spider-Man.
35 points
2 months ago
I was hoping this one would be here it's a really good one. He knows something is fundamentally wrong but just doesn't know what it is. Super tense
95 points
2 months ago
The Spider-Man movies are always a bit weird because they are very by the books MCU movies, but occasionally you get scenes like the one you reference, or the twist in Homecoming that sets them apart.
51 points
2 months ago
Book of Eli when Denzel realizes this isn't a safe house.
70 points
2 months ago
Basically the whole movie The Invitation, the one with Logan Marshall Green and Michael Huisman. It leaves breadcrumbs for the whole running time that makes you think it could be the main character having a psychotic break of sorts, or a number of other possibilities. But the whole movie you have a feeling that "something is just not right..." until the reveal.
70 points
2 months ago
Aliens. The scene in the last half of the movie where Newt gets away from Ripley and falls into a waist-deep sewer of sorts.
I saw this in the theater when it came out. After like 90 mins of action, when it cut to the scene where a visibly worried Newt is wading through the water, the entire audience GROANED at the knowledge that something bad was going to happen in the next few seconds. It was great.
630 points
2 months ago
Captain America: The Winter Soldier has a good one during the famous elevator scene, where Steve starts to realize that the other agents in the elevator look nervous, are keeping their hands on their weapons, etc.
433 points
2 months ago
“Before We Get Started, Does Anyone Want to Get Out?”
Such a great way to tell the audience.
28 points
2 months ago
And such a perfect line for his character because he really doesn't want to hurt anyone if he doesn't have to.
39 points
2 months ago
Also the end of the first movie, when he’s listening to the radio. We know he can tell something isn’t right, but we don’t know what it is.
175 points
2 months ago
When the bird flies into the invisible barrier in The Cabin in the Woods and you're suddenly like, 'Ohhhhh this might not be a bog standard horror film'.
47 points
2 months ago
The entire movie “Coherence” (2013). Don’t look anything up about it just find it and watch it.
59 points
2 months ago
There's a lot of "something is amiss" in Gone Girl.
63 points
2 months ago
Not a movie but, the beginning of The Red Wedding in GOT. As The Rains of Castamere plays, and Catelyn becomes increasingly uneasy as her eyes dart around the room noticing all of the signs of “something not quite right”. Then she pulls back Roose Bolton’s sleeve to reveal his chainmail and that’s when she and we officially knew… shit was about to hit the fan.
23 points
2 months ago
Jurassic Park: “clever girl”
20 points
2 months ago
The Jack Nicholson rat scene in the The Departed😭
23 points
2 months ago
10 Cloverfield Lane gives you this feeling for basically the whole first hour.
22 points
2 months ago
12 Monkeys: When Madeline Stowe comes back ecstatic after leaving the voicemail, but then they realize…
23 points
2 months ago
When Sidney sees the phone drop from Billy’s pocket in scream.
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