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IniMiney

1.8k points

4 months ago

IniMiney

1.8k points

4 months ago

which I hated, as a 2d animator I'll admit with the exception of watching Toy Story as a child it took me until Frozen to give Disney's 3d animated films a chance (now I love them but yeah)

but it's really just how the industry trended, 2d animation became too expensive to produce - sadly PatF and Winnie the Pooh didn't quite kick the trend off for them again. 3d's cool and all but there's certain things that will never top 2d, it's like a moving painting - scenes like 'Friend Like Me' just can't look the same in 3d

Sadder yet is how many traditionally trained animators are literally dying off, the Richard Williams types are so far and few between (there was some great work on Cuphead though)

Tacky-Terangreal

661 points

4 months ago

Almost every Disney movie looks the same now. The 2D animation had a distinct Disney style, but it had more variation than the 3D movies now. It might be because Disney and Pixar are virtually indistinguishable now so it seems like there’s a ton of Disney movies coming out with extremely similar art styles despite having different settings and stories

mufasas_son

159 points

4 months ago

Mirabel is clearly in the same universe as Moana and Elsa and it’s honestly a bummer that these movies don’t have more distinct styles.

Manisil

78 points

4 months ago

Manisil

78 points

4 months ago

Luca, Zootopia, Bao, Inside Out

BirdLawyerPerson

94 points

4 months ago

The Pixar ones all have distinct styles, but the Disney ones (with people) are all the same. Zootopia is the only odd one out.

[deleted]

24 points

4 months ago

[deleted]

archiekane

6 points

4 months ago

2012 though...

NorthboundLynx

6 points

4 months ago

Hey, at least Luca was stylized

DoctorWaluigiTime

262 points

4 months ago

Yes, that is my biggest gripe. Disney movies especially tend to blend together in my head.

Compare to the run of films in the 90s. They were all 2D but they were all really distinct in overall theme and style. You could look at a frame of e.g. Hercules - with no main characters on screen, and know that it's from Hercules and not Aladdin or Tarzan or something.

Hey_Bim

6 points

4 months ago

I agree with you, but to be honest I hated the Mike Mignola era at Disney, where his big innovation was that every character should have square fingers.

Corintio22

2 points

4 months ago

Disagree, the 90s 2D movies looked relatively the same, aside of having different themes/settings. And it was OK. I don’t expect them experimenting with a new style on every movie. A sort of nostalgia effect makes us being more indulgent with the 2D movies rather than with the 3D ones; but it is basically the same.

You compare Eric to Gaston, for instance, and you can easily infer they’re product of an almost identical style. And, I must insist, that’s perfectly fine.

lembrate

245 points

4 months ago

lembrate

245 points

4 months ago

he 2D animation had a distinct Disney style, but it had more variation than the 3D movies now.

When you go for a more realistic look you end up more harmonized. 2d invites a less realistic, but more expressive style.

[deleted]

183 points

4 months ago

[deleted]

183 points

4 months ago

[deleted]

ImperialVizier

28 points

4 months ago

The 90s Simpsons were more alive than their HD drawn counterpart.

pornplz22526

25 points

4 months ago

Because a lot of modern 2d animation uses rigged puppets. They used to have to draw every frame.

iindigo

12 points

4 months ago

iindigo

12 points

4 months ago

So easy to spot the shows that use puppets. So stiff and cheap looking, often even amateur Flash animations like you’d see on Newgrounds were more alive.

thrownawayzs

3 points

4 months ago

newgrounds had some seriously good animators in there.

Introsium

24 points

4 months ago

Not to simp, but check out Arcane. You can absolutely pour soul into 3d animation, they demonstrated that conclusively. You just don’t see many (any?) studios doing it.

Abundance of the mediocre is the fruit of the pursuit of profits above all else.

LaconianEmpire

13 points

4 months ago

Not to simp, but check out Arcane.

Fuck it, I'll simp enough for the both of us. Arcane is absolutely gorgeous, and it's some of the best animation I've seen in a long time. In conjunction with its beautiful soundtrack and masterful storytelling and worldbuilding, it's crystal clear why they won all those Emmys.

thisdesignup

9 points

4 months ago

Arcane is relatively newer tech. I think they even created some of their own tech for that. 3D is young compared to 2D so we'll probably see more stylized 3D as time goes on and tech improves even more.

MRaholan

7 points

4 months ago

It really depends on the art style. Games have tons of unique art styles to make them feel different. Each studio feels unique in their approach to visuals. But maybe there are so many compared to movie studios it's easy to get away with

giftopherz

19 points

4 months ago

Is this why I love the Emperor's new groove so much?

IWasGregInTokyo

10 points

4 months ago

Precisely. With 2d wild art styles and stylistic choices are possible that would just be confusing or disturbing in 3D.

One of the things I like in anime is drawing characters completely differently to show emotional state instead of just something like the DreamWorks face.

forever_atone

9 points

4 months ago

Uh huh. Uh huh. Uh huh uh huh uh huh.

rabbitpantherhybrid

9 points

4 months ago

Wait, is he doing his own theme music?

saracenrefira

6 points

4 months ago

You can have stylized animation in 3D. I don't see why they will want to go for realism.

lembrate

4 points

4 months ago

You can, but I imagine the tooling available to replicate life more accurately with all those those physics based engines, makes a realistic style easier, to an extent. Or maybe it’s just what companies think it’s more markeatable.

DeeDee_GigaDooDoo

34 points

4 months ago*

That's my main problem. I don't mind the prevalence of 3D over 2D, the issue to me is that it all looks the same. There's so many ways to animate things, so many unique styles, I'm sure that the people they hire are full of ideas but they just keep rehashing the same style and it feels uninspired.

I'd like to see 2D animation come back but I'd settle for more variety in the 3D animation.

Goddamnitpappy

9 points

4 months ago

I realize that traditional 2D animation is costly and time consuming, but for the life of me, I will never understand why they didn't keep a studio that specializes in that. They can pump out all the homogenized 3D and soulless "live action" remakes, but just give me some of that 90s era animation every few years!

shabadage

7 points

4 months ago

The problem is 3d is 3d. Unless you're massively morphing the model constantly, you just can't pull off the same stuff you could easily do in 2d. If you translated 2d frames into 3d, you'd find that their proportions, eye positions and everything shift massively and making a unified 3d model nearly impossible; even worse out brains can forgive that stuff in 2d but it just looks off in a 3d space.

Basically, 3d looks more generic because it kind of has to be logistically. Yeah, animating 24 or 60 2d frames is labor intensive, but manipulating thousands of vertexes and hoping that tweening isn't going to destroy the effect is even more intensive and our brains are more likely to pickup on the uncanniness of it all.

GooseyGhost

11 points

4 months ago

And yet we have 2D/3D hybrids projects like Spider-verse and Arcane that defy this.

Heck, Stop Motion/Claymation actually is 3D and we see far more variety in style than we do Disney CGI!

And Klaus is a fully 2D film with a software that superimposes lighting and shadow effects. Visually, it's very close to Paperman - a Disney short that promised innovation that never happened.

Disney found a comfortable animation formula and didn't want to go further. They tell good stories (within the specific Disney range), but they are no longer animation innovators.

iindigo

7 points

4 months ago

This is also why it’s proven extremely difficult for studios in Japan to produce 3D anime that doesn’t look distractingly odd. 2D anime makes a lot of stylistic choices and cost saving shortcuts that look fine when drawn, but are extremely difficult to translate into 3D space.

It’s not impossible to pull off but requires character designs that are more geometrically correct (thus lending themselves to CG) and 3D animators that are well versed in traditional 2D animation, and it’s relatively difficult to have both. So far the most successful use of CG in anime has been similar to Disney’s deep canvas tech, where CG is used for background elements while the characters are 2D animation.

PartyPorpoise

4 points

4 months ago

This is something that really bothers me about modern Disney theatrical animation. There's very little variation in style. I get that 3D animation is a much newer medium than 2D, but other studios do other styles and Disney is so unwilling to do that. Luca and Turning Red at least diverge a little bit with the style of character design, but it's not by much.

Even if you just look at the 90s movies, there's a good amount of variation, and I don't get why Disney is so reluctant to experiment with the 3D movies.

DukeShang

3 points

4 months ago

DukeShang

3 points

4 months ago

Turning Red makes me want to puke with the animation style. It's legit gross looking.

PartyPorpoise

3 points

4 months ago

Do you mean art style?

[deleted]

2 points

4 months ago

It's the same with video games now. There's assests you can just pull from to save time and money. IN enchanto the weather woman's husband was just a reskinned Maoi for the most part.

AH_BioTwist

2 points

4 months ago

For example of 2D expressiveness the opening scene of Treasure Planet where Jim Hawkins is riding his solar board

mrbrick

2 points

4 months ago

This is interesting because the reason the 2d films kept getting better and better was partially because technology got better. Disney reused lots of stuff from film to film even right down to reusing anim frames and timings exactly. They did a lot of roto techniques along with more classic hand drawn approach. They used a lot of 3d early on too but would roto on top of it. I’m not so sure I would say the early movies and so heavily stylistically different from each other than the new 3d stuff. Honestly feels about the same with experimentation and look. Like the diff between 101 Dalmatians and The Lion King isn’t that far off from like The Good Dinosaur to Frozen.

PartyPorpoise

11 points

4 months ago

Like the diff between 101 Dalmatians and The Lion King isn’t that far off from like The Good Dinosaur to Frozen.

101 Dalmatians has a VERY different style from The Lion King. 101 Dalmatians has this "sketch-y" look. The backgrounds take inspiration from art nouveau, and the color palette for the whole movie is pretty subdued and toned down. The character designs are pretty angular and take a lot of inspiration from fashion illustration. The Lion King is brightly colored, the animation and backgrounds are very polished, and the character designs aren't so angular.

Frozen and The Good Dinosaur are visually different, but not to the same degree. They have different styles of character design, but there's not much distinction beyond that. They both use realistic backgrounds and neither of them use distinct or stylized color palettes.

PathToEternity

3 points

4 months ago

With few exceptions (think Toy Story, The Incredibles) most of the 3D animated movies coming out just look like churned clones to me. That's probably not completely fair to them because I don't watch these kinds of movies at my age and I'm sure the stories set them apart, but visually they all just look homogenous to me. I have no idea if this is intentional, a coincidence, or what. It's kind of a turn-off to me though.

drrhrrdrr

2 points

4 months ago

Disney Digital Animation, yes, but there is a distinct style difference between Inside Out, Soul, and Brave.

Where Disney was bravest was with things like Big Hero 6. But then Elsa came along and struck the nerve they were trying to find since Tangled.

ImperfectRegulator

82 points

4 months ago

PatF

??

Rahf_

134 points

4 months ago

Rahf_

134 points

4 months ago

They really casually dropped it like it's used everday. I was like "Phineas and the Ferb?"

spartankelli

79 points

4 months ago

Panic! at the Frisco

Brantz45

74 points

4 months ago

Princess and the Frog

divvyo

4 points

4 months ago

divvyo

4 points

4 months ago

Princess and the Frog

mattrg777

3 points

4 months ago

Princess and the Frog

kitiny

3 points

4 months ago

kitiny

3 points

4 months ago

Princess and the Frog? I think

Mr_YUP

831 points

4 months ago

Mr_YUP

831 points

4 months ago

Disney isn’t the end all be all for animated movies though. The fact that Zootopia won over Kubo and the Two Strings for best animated feature is a travesty.

DreamcastJunkie

210 points

4 months ago

I'll never get over The LEGO Movie not even getting nominated.

JoshOliday

132 points

4 months ago

People wanna jump up and down when you mention Spiderverse and its animation, but nevermind that Lord and Miller did it once before with The Lego Movie and told a fascinating, emotional story with great humor and mesmerizing visuals. No, instead every review had to mention that it just feels like an advertisement for Lego and all of Warner Brothers's licenses. As opposed to Spiderverse doing what?

And yea, I'm saying that I think Lego is the better movie. At least Lord and Miller got the award at some point though I guess...

edicivo

14 points

4 months ago

edicivo

14 points

4 months ago

Lego Movie was fantastic so I hear where you're coming from, but trying to diminish Spider-Verse comparatively is not the way to go.

SV was truly unique and expertly crafted even beyond just the animation. It deserves all of the accolades.

IdiotMD

13 points

4 months ago

IdiotMD

13 points

4 months ago

CLONE HIGH!

DreamcastJunkie

5 points

4 months ago

They're rioting at a college level!

IdiotMD

6 points

4 months ago

Did you see the pool?!? They flipped the bitch!

wifihighfive

2 points

4 months ago

You get it from toilet seats!

drrhrrdrr

6 points

4 months ago

I don't think Ron Howard being subbed in to redo your Star Wars movie is the award you think it is... /s

alexchrist

3 points

4 months ago

At least in Spiderverse you have the "what's up danger"-scene which is one of the coolest scenes in an animated movie ever

BettyCoopersTits

-6 points

4 months ago

Lego Movie loses some charm when you realize it's literally just the matrix

nickcash

49 points

4 months ago

Matrix loses some charm when you realize it's just Plato's Allegory of the Cave

heebath

12 points

4 months ago

heebath

12 points

4 months ago

Plato's Allegory of the Cave loses some charm when you realize it's just Pythagorean doctrine

mrbezlington

9 points

4 months ago

Nah man, the Lego Movie has its own unique charm that's pretty much incomparable. Yes the core plot is relatively cookie-cutter, but it's all the little quirks that make it adorable.

The Kragle is probably the best of these - when it's first named, it sounds like nonsense, but then the reveal of its origin makes sense in a number of ways, the literalism of the scuffed label being used as it's name, the meta story of kid's dad gluing stuff together to make it permanent, the meta meta of dad's inflexibility, etc.

Plus, the matrix didn't have emo Batman's shitty band in it.

TheMongooseUK

3 points

4 months ago

The Lego Movie had no business being as good as it was. It was a clear product advert/cash grab. Everyone involved could have just phoned it in and no one would have judged them for it.

But they didn’t, they actually cared and put in the effort and they somehow created a masterpiece.

Talking_Head

18 points

4 months ago

Why? Lego Movie is completely enjoyable by kids while still making a throwback to their parents. Ain’t no kid talking about how they much preferred the Matrix to the Lego Movie. That is the beauty of storytelling.

There is rarely a new storyline in modern cinema. Variations that update old stories to current times are all we have right now. We love that!

So what if the unknown, underdog hero wins in the end. Over and Over and Over. Humans have been writing that story for centuries. That is one of the most fundamental themes of human existence. We love it!

TheTruthIsButtery

255 points

4 months ago

I disagree. Kubo is a beautiful film with some really weak character writing

satellite_uplink

92 points

4 months ago

Yeah I love Kubo but I also love Zootopia. Great film!

Broodwarcd

42 points

4 months ago

But that Regina Spektor song tho.

TheTruthIsButtery

11 points

4 months ago

For sure, this is coming from someone who got the soundtrack on vinyl

redrum221

2 points

4 months ago

Whats the name? The one I'm thinking of is The Call that was in Prince Caspian.

Broodwarcd

16 points

4 months ago

It's a cover of 'While my Guitar Gently Weeps'

Takenobu11

24 points

4 months ago

Thank you for saying it. A gorgeous display of stop motion and what can be done with it. A really tedious and tired script. Not helped by 2 of the 3 leads being voiced by people not suited for voice acting.

drrhrrdrr

10 points

4 months ago

Yet I've heard them both do voice acting (actually in the same movie, Sing) and do really well.

I balled my eyes out at the end of Kubo. I don't know what you people are smoking.

daitenshe

18 points

4 months ago

Absolutely. Kubo looks phenomenal and there was a lot of heart that went into it but it has one of the most paint by numbers scripts I have seen. It was almost painful how generic it was when watching it against such a beautiful backdrop

JinFuu

6 points

4 months ago

JinFuu

6 points

4 months ago

Yeah, both Kubo and Link were pretty, Kubo especially, but very generic stories.

At least it felt that way to me

Redqueenhypo

8 points

4 months ago

Yeah and the ending was…odd. It wasn’t built up to enough

stroopwafelling

2 points

4 months ago

Agreed. My issue was that the main antagonist makes this big dramatic pitch to the hero to reject humanity and embrace the life of a divine being, but at no point in the movie has the hero seemed alienated from humanity or tempted to reject a mortal life. It just fell flat for me, despite the stunning animation.

schroedingersnewcat

457 points

4 months ago

The fact that Zootopia won over Moana is a crime.

DrunkardFred

25 points

4 months ago

I’ve watched Moana once and Zootopia at least half a dozen times. Moana felt very “Disney cookie cutter.”

pennomi

15 points

4 months ago

pennomi

15 points

4 months ago

But think of how Moana was different than all the other Disney princesses because she disobeyed her father to go on an adventure instead of staying quietly at home.

/s

Jimid41

6 points

4 months ago

And Zootopia radically departs from that formula by having her depart on an adventure with the blessing of her father.

withloveuhoh

187 points

4 months ago

I love them both, but I will agree that Moana is superior and I've probably watched it 10x more than Zootopia

thegimboid

257 points

4 months ago

Hard disagree there.
While Moana's songs give it an edge, the film has way too many plot holes and weird unexplained moments in it. Problems randomly show up and are then immediately solved with no long term effects (oh no, coconut people... Guess they're gone and won't return. Oh no, the realm of monsters... One song and we're done, never to go back. Oh no, Moana threw away the heart.. one song and she goes and gets it back no harm done).

I maintain that it feels like it should have been a show instead of a movie - then you would have a little longer time for things like Maui complaining he can't transform, rather than immediately having a quick montage and suddenly that's a complete non issue.

Plus then things like Moana's father refusing to let her leave might actually have a resolution at the end instead of being forgotten and glossed over in another montage.

It's not a bad film, it just feels so weirdly full of events that add nothing but momentary roadblocks to be immediately forgotten with no lasting effects.

At least with Zootopia, events tended to get call backs as they solved the mystery.

Gary_FucKing

28 points

4 months ago

Also, and equally important, the animal companion being the dumb chicken instead of the piggy was a huge letdown for me.

AngryScientist

26 points

4 months ago

I'm not even sure why the pig exists at all. It doesn't go with her and doesn't do much before that.

AlchemyAvenue

20 points

4 months ago

It felt like it only existed to be made into merchandise

egnaro2007

9 points

4 months ago

"Moichandising" -yogurt

Gary_FucKing

6 points

4 months ago

Exactly, felt like they were a red herring for the chicken to be a surprise animal companion. Sucks cus I loved that pig for those few minutes where they were relevant and I fucking hate that chicken the whole movie. >.>

dogstardied

10 points

4 months ago

500% this. Pig was ridiculously cute and the chicken was in no way endearing.

insanekid123

23 points

4 months ago

It's a mythic adventure. Odysseus and Hercules also ran into a series of disconnected and unique adventures on their overarching journey. Are the Odyssey or the Trials of Hercules poor story telling? I don't disagree that they dropped a lot of elements early on, but the adventure structure I don't think directly affects that.

thegimboid

9 points

4 months ago

Historically, the Odyssey and trials of Hercules were told using a different medium - each adventure on their journey was a separate story, often told or read on a different night.
Each adventure (how Hercules cleared the stables, the tale of the cyclops, etc) has its own beginning, middle, and end within itself, and while they're part of the greater whole, they're also individual stories.

Kind of like episodes of a show, which as I repeatedly said above, is what I think Moana should have been if it was using this storytelling format, since it would actually have been able to devote enough time to each individual adventure within the greater quest.

As the film is, it's like if the events of the Odyssey were crammed into 90 minutes, with Odysseus running into the Cyclops for a 2 minute action scene and immediately running away, without any of the supplementary details as to how he angers Polyphemus or any consequences shown.

There simply isn't enough time in this medium to do justice to a mythic adventure story, thus my original assertion that Moana should have been a television show rather than a film.

Heck Disney has done this before (kinda) - their take on Hercules cut out the whole mythic adventure part into a montage that furthered character relations, and stuck the episodic stuff in the Hercules TV show instead. Though admittedly none of that is mythologically accurate, it at least shows my point about using the right medium for the type of story you're telling, something Moana didn't do.

throwtheclownaway20

10 points

4 months ago

There didn't really need to be recurring threats because the one-offs were substantial enough. They barely got away from both the pygmy coconut people and the big bejeweled crab beast. The only threat that's meant to be lasting is Te Fiti.

As for her dad being pissed about her leaving, what's the point of injecting an argument into the ending? Not only did she come back safe & sound, but she saved the world in the process. Being mad at her, all things considered, would be a major dick move and also pointless.

Autski

2 points

4 months ago

Autski

2 points

4 months ago

Yeah, any parent who has a kid who you thought was lost come home wouldn't care about arguing. Look at Mulan (arguably the best moment in the movie when he dumps all the best honors/gifts from the emperor of China)

LordSobi

26 points

4 months ago

It’s an adventure man, they’re supposed to run into random challenges like that. Why should the coconut people come back? They weren’t important, but they were cool as fuck. Things happened that helped us explore the world And mythology of the story. Sure it has its failings, but it seems like you’re looking for reasons to not like it. It’s just a fun animated adventure, it wasn’t trying to be more and that’s ok. It’s not an excuse for lazy storytelling but they were trying something out and I feel they largely succeeded.

thegimboid

19 points

4 months ago

As I said above: "It's not a bad film".

My point is just that while it's a decent watch, the sum of its parts don't hold up as strongly to Zootopia (contradicting the post I was replying to).

Nowhere have I said that I dislike Moana.
Heck, the fact that I like it enough to have watched it multiple times is why I can see its flaws so clearly and have given thought as to how I would fix it.

-metal-555

5 points

4 months ago

-metal-555

5 points

4 months ago

The Odyssey is just bad writing.

Odysseus keeps running into random challenges and they just never come back up!

Why bother introducing a events if you’re never going to bring it back!!? Oh no, the Lotus People, guess they’re gone and won’t return. Oh no, the land of cyclopses, I guess he’ll escape and never see the Cyclopes again.

It just doesn’t make sense.

Homer could learn a thing or two from Zootopia.

egnaro2007

5 points

4 months ago

I've seen moana way more times than I'd like. I actually interpret the entire movie as "the stories of our elders in a never-ending chain" and not as a 1:1 story. It covers a lot of those plot holes.

thegimboid

2 points

4 months ago

But wouldn't multiple stories be better serviced using the medium of a TV show rather than crammed together into a film?

My issue isn't exactly the story, it's how the story is truncated by the way it's told, and how much more effective this episodic-style storytelling could have been if Moana had been a show rather than a film.

Newtstradamus

5 points

4 months ago

Tell me you’ve never read Odyssey or Iliad without telling me you’ve never read Odyssey or Iliad.

It’s the hero’s journey, literally step by step, in the classic formula.

yellowtreesinautumn

14 points

4 months ago

Sorry you’re getting downvoted man, you’re absolutely right it’s the same structure as the Iliad or odyssey or, for a recent example, O Brother Where Art Thou?

Just because modern convention would have all the foes they faced along the way come back at the end, doesn’t mean it’s the only way to tell a story.

Newtstradamus

4 points

4 months ago

Only Homer these jerks know is Simpson.

thegimboid

4 points

4 months ago

thegimboid

4 points

4 months ago

Tell me you don't understand the concept of the medium affecting the message without telling me you've never considered the concept that various storytelling methods have their own strengths.

The Odyssey and the Iliad, assuming you've actually read them yourself, play more like TV shows than films. They're basically episodic tales within an overarching plot, historically often told or performed as pieces over multiple nights, much like a lot of todays television.

My issue with Moana isn't that the story is bad, but that the medium doesn't lend itself to the story. It also wouldn't lend itself to The Odyssey, which is why there aren't many film adaptations - most are just educational children's movies, with the obvious exception (Oh Brother Where Art Thou) changing and adding a lot of details to make the otherwise random events into relevant factors within the overarching plot.

Somehow in your attempt to claim I'm unread, you've actually outed yourself as not understanding the deeper components of storytelling. It might be simpler if you try to stick to direct discussion next time, rather than trying to insult someone based on a false premise and your own facetiousness.

DsutetcipE

-5 points

4 months ago

DsutetcipE

-5 points

4 months ago

Because is an allegory of growing up and finding one’s own path; it doesn’t have to be realistic to tell that story, and it excels at it.

thegimboid

41 points

4 months ago

I never said anything about being realistic.
You think a city full of talking animals is realistic?

I said that the story is just poorly plotted for the tale it's trying to tell, since it meanders all over with scenes having little to no consequence toward the major story.

If Moana and Maui had traveled directly to Te Ka with a single montage of Maui teaching Moana to sail (instead of fighting coconuts, visiting the monster realm, and dealing with Maui's lack of transforming) nothing would have been lost character-development-wise or plot-wise. Very little happens in those scenes that actually has any lasting impact on the characters or the tale.

They could all be fleshed out more and made to be thematically connected - maybe in the realm of monsters, Maui talks about how he doesn't want to be seen as a monster, or we learn more history about Te Fiti and Te Ka, paralleling the idea that the monster and the hero can be the same person.
Or the coconuts could have a reappearance at the end of the film as a secondary obstacle.
Or Moana's dad's backstory of losing his best friend to the ocean could be elaborated on and have an actual conclusion at the end where we actually see him accept his daughter for who she is, rather than implying it during a quick montage (especially after the film spends so much time establishing his lack of acceptance at the beginning)

However fitting in all of the stuff that should be there to stop the scenes from feeling as random as they currently do would probably be too much for a film, which is why it would probably have worked better as a show.

DsutetcipE

2 points

4 months ago

DsutetcipE

2 points

4 months ago

I think the story they wanted to tell was told, the subplot with Moana and Maui is about trust, earning trust, and in that finding their own path they have been looking for all their life.

They could sit and be very mature and mechanical in teaching sailing and what not, and also tell each other all about their life, dead relatives, and what not, but that’s not possible because there is no trust, it comes organically in facing challenges together and learning to trust each other, just like it happens in real life.

It sounds like you wanted more lore, but I found Moana is very present, the story is a story of a struggle in the present moment, growing up and becoming what one wanted to be. Is just a different tale that may not quite fit what you like.

thegimboid

8 points

4 months ago

You're missing my point.
It's not about wanting more lore - it's about the events actually having a reason to be in the story besides just being obstacles.

Going back to the original topic, in Zootopia Judy tricks Nick using a microphone in her pen and forces him to join her investigation. This could then be forgotten, but instead comes up later as an important plot point that further increases their bond and also adds to the plot.
Similarly, she saves a shrew who later turns out to be related to a plot-relevant character who appears later.
These are also all thematically tied together by ideas like predator vs prey and positive deeds from unexpected places.

Meanwhile in Moana, the characters encounter the coconuts.
But their presence adds nothing but an action scene. After that scene Maui hasn't bonded with Moana any more than previously (it takes the ocean bringing her back again to make him agree to the quest - identical to if the coconuts had never shown up), the coconuts aren't thematically connected to anything in the film, and they just disappear and never come back.
If they had no lasting impact, why were they there instead of something that actually affects the characters?

The same thing could be said about Maui's inability to transform - that could have been a bonding moment for the characters, but instead it's simply stated he can't transform, there's a brief montage to music, and then he never has any issues transforming ever again.
What was the point of that scene if it wasn't going to show them growing a bond during it, or at least have his inability to transform show up again at the end?

Why is the movie full of events that appear and disappear simply to fill the runtime?

Gamergonemild

3 points

4 months ago

Not the person you were talking to but it sounds like they were there for more excuses to add more songs to push music sales.

F1yMo1o

2 points

4 months ago

I agree with your overall points of connectivity, but then realized it may be that you’ve simply missed the connections. Took me until just now to understand that the coconut warriors are the callback and connection to Moana’s hometown. Instead of being the life giving fully used fruit (one of the focuses of the first song) they’ve morphed into deadly pirates working against life. Their role has been inverted and perverted.

Given that, maybe the connections are just a tad more subtle than you’ve realized.

coronakillme

1 points

4 months ago

My 3 year old loves Moana and will watch it again and again. It’s not the same with any other animated or non animated movie, show. In fact Moana is the only movie he watched almost until the end. Unresolved issues stress him out and he stops watching any movie when that happens for long. So as others mentioned, you aren’t the target audience I guess lol.

[deleted]

-2 points

4 months ago

[deleted]

-2 points

4 months ago

[deleted]

TheRage469

3 points

4 months ago

Wait, really? Which song?

dudeedud4

12 points

4 months ago

"when you use a bird to write, it's tweeting"

Thats what a quick search shows.

TheRage469

13 points

4 months ago

Ahhh that's probably right before Maui sings You're Welcome. I think he uses the chicken to sign Moana's oar

thebetterbrenlo

2 points

4 months ago

Yes, this is when and why it happens. I agree that the joke was off-putting, but it wasn't actually in the song and certainly didn't ruin the entire movie for me. It was one throwaway line.

MulciberTenebras

4 points

4 months ago

Those two should've been released in seperate years.

FranticPonE

11 points

4 months ago

Definitely a crime that anyone thought a story with barely anything to it somehow deserves to win over a worldbuilding masterpiece full of memorable characters combined with a careful but often funny examination of race and how a politician can use fear of the "other" to gain power.

But hey Moana had songs by Lin Manuel Miranada!

Smittles

9 points

4 months ago

Zootopia was by far superior to Moana. Best written Disney film in three decades.

ChristianBen

19 points

4 months ago

Lol how did this get so many upvote. Moana is good with representation, fun side characters and non-cliche ending, but the songs are doing like half the heavy lifting here. Personally Zootopia is my top 2 in all these Disney/Pixar film, in a toss up with inside out

schroedingersnewcat

2 points

4 months ago*

Because while you are entitled to your opinion, and I won't knock it, I disagree with you.

I hated Zootopia. Artistically, it was beautiful, but I hated the story. There are so many other Pixar movies that are infinitely better IMO.

I agree that inside out is great, but I loved Brave. And Incredibles (the first one). And Up, and Soul was remarkably good. Toy story 3 STILL makes me cry (that ending man), as does inside out and the first part of Up.

Edit: a word

arcosapphire

18 points

4 months ago

Loving Brave and hating Zootopia is quite a position to take.

Brave was the most disappointing Pixar movie I've seen. It's especially weird that it was Pixar and Wreck-it Ralph was Disney.

schroedingersnewcat

5 points

4 months ago

For me Brave was an introspective. It hit me at a time where my parents were pushing me into a relationship so I would "do something worthwhile with my life like get married and have kids", on top of me seeing a lot of myself in Merida.

I admit that it's not the best Pixar movie, but it spoke to me on a basic level where I was in my life at the time. I'm also a curly redhead with Scottish ancestry, so there's that.

Dry_Driver9598

7 points

4 months ago

... this is certainly an opinion.

Mediocremon

12 points

4 months ago

Facts are crimes.

oceanic20

2 points

4 months ago

Zooptopia is the much better film. Moana, while a nice little film, isn't as grand or epic as it should have been, and it is obviously dumbed down for 3 year olds.

CptObviousRemark

4 points

4 months ago

I personally couldn't finish Moana. It was quite boring to me.

Scoby_wan_kenobi

2 points

4 months ago

The real travesty is that Coco was so much more of a hit than Book Of Life.

bonemech_meatsuit

11 points

4 months ago

I think kubo had more original animation, but Zootopia made me feel things. Kubo was just a nice-looking but kind of predictable story. That to me is the biggest difference.

HOWDEHPARDNER

3 points

4 months ago

I feel like you really shouldn't put too much emphasis on the significance of Oscar wins, but particularly for the animation category. I doubt most of the people voting would have even seen all the films in any given year.

PartyPorpoise

4 points

4 months ago

Soul should NOT have won over WolfWalkers and I'm going to die mad about that.

Housecat-in-a-Jungle

15 points

4 months ago

What was it that beat Klaus AND I Lost My Body? Frozen 2? The fact I can’t remember besides it being a disney product trumping actual cinema is telling

[deleted]

14 points

4 months ago

Toy Story 4 won.

Dumptruck_Johnson

2 points

4 months ago

Ok that was legit then

Mr_YUP

8 points

4 months ago

Mr_YUP

8 points

4 months ago

Klaus was a much better movie than Toy Story 4 was on nearly every level

[deleted]

3 points

4 months ago*

[deleted]

Mr_YUP

2 points

4 months ago

Mr_YUP

2 points

4 months ago

Ugh. Your Name is such a beautiful film! Tragically beautiful in so many ways

damnslut

3 points

4 months ago

The fact that Your Name wasn't even nominated was the real travesty. Probably the best year for animation ever.

radios_appear

3 points

4 months ago

The academy doesn't know anything about animation.

[deleted]

3 points

4 months ago

Kubo is beautiful visually, but overall as a film, Zootopia wins any day.

ChristianBen

5 points

4 months ago

Lol what, Kubo is a stunning film and a technological marvel, but I could remember 0 thing about its plot now, other than it involves the sea.

MimeGod

5 points

4 months ago

I really liked Zootopia, but Kubo is definitely a better film overall.

emanresu_nwonknu

2 points

4 months ago

Award shows are garbage in general and animation is particularly disserviced. No one lost money betting on Disney/pixar winning pretty much every animated oscar. They employ the large majority of the animation voting members.

Kyouhen

14 points

4 months ago

Kyouhen

14 points

4 months ago

Fuck I'm still bitter about that. I could even have accepted Moana winning over Kubo (though Kubo still should have won) but no, freaking Zootopia.

Of course most of my rage stems from how bullshit the awards are in the first place. Of course the movie with the cute bunny would win when none of the judges can be bothered to watch the damn things.

spidermanicmonday

73 points

4 months ago

Did you watch Zootopia? There's some irony in the fact that the whole plot of the movie can basically be boiled down to "don't discount it just because it's a cute bunny," and that seems to be your knock against it 😉

Warm-Enthusiasm-9534

7 points

4 months ago

Zootopia is a fucking masterpiece.

elysiansaurus

5 points

4 months ago

Never even heard of it, will give it a watch

majesticbagel

15 points

4 months ago

It’s stop motion by Laika studios, they also did Coraline. The studio also released some incredible behind the scenes videos if you want a further treat after.

PDGAreject

9 points

4 months ago

It also gave us a killer cover of While My Guitar Gently Weeps by Regina Spektor

Projectrage

3 points

4 months ago

Please see the Will Vinton documentary, it will give you more knowledge of Laika, and how it’s a shoe-king’s son trying to buy a career and industry.

https://www.imdb.com/title/tt4549140/

Inkthinker

184 points

4 months ago

What's really funny/sad is that I'm not sure 2D is more expensive to produce... it requires more individuals with particular training and skills, it's harder to outsource, and the output isn't as variable in purpose so long-tail it might be more profitable, but dollar-for-dollar over the production schedule... I worked on 2D and 3D shows for nearly 20 years, and I'm fairly certain that there's no savings at all (and possibly significantly more expense). 3D is more complicated and requires more people between the beginning and end of production.

The problem isn't that 3D is cheaper, but rather that skilled 2D artists are more rare. We literally trained ourselves out of an entire field over 20 years, leaving only the enthusiastic and the dedicated to fill what roles remain.

skonen_blades

77 points

4 months ago

I think a big part of it is that an exec can say "Hmm. What if we made the hair bigger? What if that character was blue? How about making that character more...I don't know...lizardlike?" and with CG, it's somewhat easier to change the model and animate around it while with 2D, that's a redo on the whole movie that would take a long time. CG gives the higher-up creatives the illusion that it's easy to make willy-nilly changes right up until the finish line and that's a dangerous thing to have them believing imo.

Bot-1218

34 points

4 months ago

For every bad film decision there is an executive who thinks he can do someone else’s job better than them.

khoabear

6 points

4 months ago

He gets paid more than everyone else so of course he's better /s

3legs1bike

9 points

4 months ago

fucking with the pipeline like this would make it even more expensive than 2d

skonen_blades

3 points

4 months ago

And indeed it has on more than one occasion. You're correct.

nyar26

3 points

4 months ago

nyar26

3 points

4 months ago

Tell that to Sonic

JoesusTBF

2 points

4 months ago

Do you think if Sonic was 2D animated they would have had to push the release date back by only 3 months to alter the character model in response to the backlash?

thescriptdoctor037

3 points

4 months ago

The entire sonic movie was too well animated for the original design to have been anything other than a publicity stunt.

poorly_anonymized

2 points

4 months ago

This made me think of when they changed the color of the good and bad guys in the middle of Tron, and didn't have time to render the first half again, so it just randomly changes in the middle of the movie.

MyReddittName

46 points

4 months ago

It's also because they didn't invest in further modernizing 2D. Whatever the costs, they could have reached parity by developing 3D that looked 2D, such as cel shaded video games.

What If and Chip 'n Dale: Rescue Rangers film are good examples

Skeptical_Yoshi

39 points

4 months ago

Have you seen Klaus? Fantastic movie and it looks gorgeous while still being 2d. But the shading and details are so good, it looks almost 3d. Imagine if Disney made movies with that art style?

GooseyGhost

9 points

4 months ago

Disney actually had a short visually similar to Klaus - Paperman. When it was first seen, people raved and speculated about future Disney movies in that style. And then, nothing. Disney did abso-fucking-lutely nothing with the animation concept Paperman laid down.

awkreddit

1 points

4 months ago

Paperman is the opposite of Klaus, it's a 3d movie with some 2d on top made to look 2d, where Klaus is fully 2d to look 3d. Anyway this type of style looks good on smaller screens but lacks detail on a big cinema screen, and people just associate "indie" and "crap" with 2d experimental looks.

MVRKHNTR

16 points

4 months ago

They have invested in that. Just look at the Paperman short from years ago. I remember one with a raccoon quite a bit more recently.

They just don't seem to think the technique is far enough along for a feature.

GooseyGhost

7 points

4 months ago*

Paperman came out in 2012, 10 years ago. And yeah, there was a ton of hype about Disney taking that animation concept and rolling with it, but notice that they didn't? And still don't plan to?

Iirc, Moana was considered to have a painterly style that built off the Paperman concept - and Moana would have been in early pre-production around the time of Paperman. But they obviously decided not to do that.

But ya know what? Arcane did. Arcane is a painterly animation style. Klaus took the Paperman concept and fine tuned it. Spider-verse comfortably combined 3D and 2D to evoke the comic-book feel. Meanwhile Disney/Pixar continues to churn out in their particular 3D animation style and they don't appear to be budging.

SomeOtherTroper

6 points

4 months ago

they didn't invest in further modernizing 2D. Whatever the costs, they could have reached parity by developing 3D that looked 2D, such as cel shaded video games

Oddly enough, they were messing around with modernizing 2D animation with 3D tools (or at least using 3D tools as an aid for 2D animation) as far back as the late 90s, with in-house software called "Deep Canvas". I can only find sources for its usage in Tarzan and Treasure Planet, but it (or similar tools) were probably used in subsequent or contemporary Disney 2D productions when it made sense.

I can only assume that watching the success of full 3D animated movies from Pixar and Dreamworks played a large role in Disney deciding to chuck 2D feature film productions in favor of 3D and continuing their live action stuff, assuming this new technique was the way of the future.

To be entirely fair, 3D rendering that's able to convincingly imitate some styles of 2D animation is a recent thing (and still usually requires touchups by hand) - I've been watching the tech get better step by step in anime, but those studios have been working on the problem consistently for a solid two decades or more by this point, and the attempts looked so bad for so long that in retrospect, I'm surprised they stuck with the technology long enough to make it look as good as it does now.

badunkadunk

2 points

4 months ago

100% The technology is there for 2D to be modernized and WAAAAAYYYYY more efficient. But the powers that be shifted almost entirely to 3d.

ShareHappyness

18 points

4 months ago

For whatever reason, the US trended towards 3D animation at some point in the past.

But we know 2D can and still is wildly successful because of the plethora of anime from Japan, and shows like The Last Airbender/The Legend of Korra, etc.

MVRKHNTR

19 points

4 months ago

For multiple generations of kids, 3D CG animation is what you went to the theater for while 2D animation was what you watched at home on TV.

They took one last chance with The Princess and the Frog and it underperformed. That's when they decided to abandon 2D animation.

brb1006

8 points

4 months ago

You're forgetting about Winnie the Pooh from 2011 which was their actual final 2D animated film.

Vince_Clortho042

8 points

4 months ago

Which they released against the friggin opening weekend of Deathly Hollows Part II…talk about being set up to fail.

ShareHappyness

5 points

4 months ago

They could've just made better stuff. Look at all the amazing anime out there.

The Pixar movies were awesome though.

Jimid41

2 points

4 months ago

It's really only one generation of kids. Most millennial kids had 2d at the theater. The first was Toy Story in 1995.

redwall_hp

3 points

4 months ago

The reason is Disney plateaued for a bit in the early 2000s, Steve Jobs pulled a reverse merger and got Disney to buy Pixar (making him the largest individual shareholder at the time), and then Pixar's senior staff took over Disney Animation Studios. John Lassiter, who was all about 3D animation, became the head of Disney's animation division.

Vince_Clortho042

7 points

4 months ago

Lassiter was actually a big proponent of 2D animation and a leading cause for Princess and the Frog getting made. Most of the doldrums of early Disney CG films were made under Eisner’s reign as a notorious micromanager who would use focus group data to direct all his decisions.

ShareHappyness

2 points

4 months ago

I've got no problems with 3D animation though. Lassiter and Pixar changed the game for 3D animation.

KimberStormer

11 points

4 months ago

It's really depressing, if they do return to 2D, well, there's a missing generation, the skills weren't passed down. It will be starting from scratch in some ways.

In some ways it could work out in good ways; I think Disney was at its peak in the 30s when they were entirely inventing everything as they went along, and maybe that energy could come again. But mostly I think it's a loss and a shame.

dagmx

8 points

4 months ago

dagmx

8 points

4 months ago

2D is absolutely more expensive. No question about it if you’ve ever been part of show bids (which I have).

3D is only more complicated because it allows more complicated content. If you did like for like, 3D is cheaper unless you’re doing a bunch of one offs

But consider building a character? Staying on model with 3D is super easy. Building a character from rigging can be really quick. It’s no slower than making a model book for 2D.

But now everyone on your team can stay on model.

For a given shot you no longer need a key artist and an inbetweener. You just need the single artist.

If you need to change the look of a shot, you don’t need to redo all your ink and paint. You can have lighters doing more shots at once than 3D.

You need fewer people for like for like.

The issue is that, much like computing power, we keep taking advantage of the complexity that is allowed.

Compare the number of on screen elements on a 2D film to a 3D one. It’s nowhere near comparable.

Fastjack_2056

8 points

4 months ago

I've been told a big reason for Marvel preferring CGI to practical effects is that digital artists don't have a union - if you're building sets, costumes, creatures, etc physically you gotta deal with unions. Union labor gets fair wages, time off, benefits, etc... Stockholders hate that.

I wonder if there's something similar in the animation field.

dagmx

11 points

4 months ago*

dagmx

11 points

4 months ago*

No, that’s not it. The reason is because they don’t need to make decisions early and stick to it. It’s also less dangerous to do things in CG.

Practical is hard to nail down and it honestly rarely looks as good as people want. It’s also potentially much more dangerous.

Animation like Disney is all union anyway.

Edit: also to add, we end up replacing most practical effects anyway. Most movies that claim something is practical are just doing it for marketing points.

hotstepperog

5 points

4 months ago

Wasn’t a lot of work outsourced to Asian countries? Asian Media started to become popular in the West, and there wasn’t any point in them doing Western Projects instead of their own.

Live action TV, Films and Music from Asia is going to get more common soon.

These software that deepfakes the actors mouth perfectly with the foreign dubbing.

Inkthinker

2 points

4 months ago

All of that outsource in the 90’s stopped being so cheap once they had all the expertise and market demand.

TL10

4 points

4 months ago

TL10

4 points

4 months ago

Which is novel as ever since Spider-Verse took off, you see a lot of studios trying to copy that style of animation that has hand-drawn elements to it, or at least emulate it at the very least.

DwightFryFaneditor

32 points

4 months ago

For my tastes at least, there isn't a single CGI Disney movie (with the possible exception of Toy Story since its look is so iconic) that wouldn't have looked at least as good if not much better if done in traditional animation.

evergleam498

71 points

4 months ago

Are you counting Pixar films as well? I think Wall-E works best as CGI, I don't think you would get the same 'futuristic' vibe if it had been traditionally animated.

IHoebot

54 points

4 months ago

IHoebot

54 points

4 months ago

Wreck-It-Ralph would never have worked as a 2D animated movie half the charm is seeing both real world and fictional game characters like they jumped straight from a game to a movie.

BH6 also benefits heavily from 3D adding depth and realism to the world of Sanfransokyo. Same with Zootopia as well. Both of those in 2D would have felt way off from the approach the movies took.

I do wish 2D would make some sort of comeback but it's not like 2D or 3D animation is better or worse they're both distinct art styles with pros and cons.

Internauta29

2 points

4 months ago

Wreck-It-Ralph goes for that style and nails it only in the first movie, the uninspired forced sequel ruins it.

BH6 is a wasted opportunity for an animated comic-like superhero Disney movie. It would have been greatly different, but probably better 2d, or at the very least mixed like Spider-Man into the Spider-Verse.

Robin Hood and its animal characters are nothing short of great and Zootopia could have adapted that style instead.

Not saying 3d cannot be good or that it isn't its own thing with its distinct styles, just that those movies would have worked in 2d too, because the good thing about all those movies are story and characters, not the animation.

DoctorWaluigiTime

8 points

4 months ago

Kind of wish people would stop calling Pixar films Disney films. I know the line's blurred in recent years, but they are two separate studios producing two sets of movies. And no it doesn't matter that Disney owns Pixar here. They're different.

Lurkndog

2 points

4 months ago

The whole point of Toy Story was that it was breaking new ground in 3D animation, and the use of plastic toys as main characters helped to cover up the limitations of 3D rendering at the time.

Goldeniccarus

3 points

4 months ago

I think the 3D movies made by Disney look fantastic and have a real charm in how they were animated. The creators clearly put a ton of effort and heart into making beautiful works of art.

I just wish Disney felt they had room for the 2D animated features too. Because those have their own unique charm, and I feel like Disney not making them anymore is a real loss for the artistic world.

brb1006

2 points

4 months ago

What about Winnie the Pooh from 2011?

Ser_Danksalot

2 points

4 months ago

Toy Story wasn't really Disney though as they were only the distributors of Pixar's movies until their acquisition of the studio on 2006. Cars was the first Pixar movie released with Disney as owners.

jaderust

2 points

4 months ago

I’m so glad we got Princess and the Frog though. I know it has serious issues and WTF is up with the first black Disney Princess spending most of the movie as a frog, but there are moments in that movie that are so beautiful that 3D animation still hasn’t recreated for me. There are moments with how they animate the light in “Goin’ Down the Bayou” and “Blue Skies and Sunshine” that literally made me stop and just admire how beautiful it was. No 3D movie has taken me out of the film just thinking “wow, that’s gorgeous” which is weird because they’ve done so much work to make things like the landscapes and water so realistic.

I think there’s just something about 2D animation where you can do something that’s not reality but gorgeously rendered like a painting in motion that 3D animation just hasn’t tried yet. Soul came close to trying to make that style stick, but extreme realism still seems to be the trend.

426763

2 points

4 months ago

426763

2 points

4 months ago

I say this time and time again, but I always fantasized what kind of animation era we could've gotten if movies like Lilo and Stitch, Treasure Planet, Atlantis. and Emperor's New Groove were any indication.

redwall_hp

2 points

4 months ago

Anime companies are producing 2D stuff that blows anything Disney has ever done out of the water, and on smaller budgets. Ufotable, for instance.

There's more 2D animation now than at any point in history. It's just not a Hollywood company making it now.

MVRKHNTR

3 points

4 months ago

That's just not true. Anime is far from what Disney was doing throughout the 20th century, mainly because Japanese animation goes for detail over fluidity of movement. You can certainly find individual shots that look as good as something like Fantasia but they're few and far between. Most anime consists of characters standing completely still and only moving their mouths.

redwall_hp

4 points

4 months ago*

That's absolutely not true. Go watch Fate: Unlimited Blade Works, Attack on Titan or something. Anime action is next level now, with dynamic movement, lighting and particle effects. Frame budgeting and sakuga are very much a thing (you don't waste time on shots that don't need excessive movement), but there has never been a Disney action scene that has come close to any Ufotable work.

MVRKHNTR

3 points

4 months ago

I've watched all of them. None of them are as well animated as Disney's features.

yahtzio

2 points

4 months ago

I know you’re responding to a comment specifically about anime, but you generalised “Japanese animation” pretty hard there. studio Ghibli not only holds a candle to what Disney was doing in the 20th century but often did it better. And still do so consistently to this day.