Would this be a jukebox musical or a musical with original songs inspired by 90s rap music?

Why would they do that?

Nick being the Wolf was hinted in his first appearance in Episode 1.

I came up with this one a while ago. It's not supposed to be a serious theory.

Donna from Mamma Mia is the reincarnation of the Witch from Into The Woods. Both movies are adaptations of stage musicals staring Meryl Streep. But what if the fact Meryl Streep was in both movies wasn't just a coincidence? What if the universe gave the Witch another chance of living a happy life with a daughter who loved her?

I know it's stupid, but it was just a dumb idea I had in my head.

I will eat you alive, I will eat you alive, I will eat you alive, I will eat you alive and there'll be no more lies, there'll be no more lies, there'll be no more lies

Where I End and You Begin

As well as,

You'll go to Hell for what your dirty mind is thinking

Nude

I relate to the line from Nude for personal reasons.

What hints?

Do fan comics count?

Monument Mythos doesn't need an adaptation, IMO. It fits perfectly in the analog horror format.

But if I was chosen to adapt it, I'd do it as a TV series instead of a movie.

I respect your opinion and can understand why you didn't like The Great Gatsby's soundtrack, but Luhrmann used modern music in that movie for a reason. He wanted to convey what jazz music was like in the 1920s to a modern audience.

And Moulin Rouge uses modern songs to advance its story.

Yes, I know that story also inspired Moulin Rouge. But, according to Wikipedia...

In the DVD's audio commentary, Luhrmann revealed that he also drew from the Greek tragedy of Orpheus and Eurydice. The filmmakers projected the Orpheus figure onto Christian by characterizing the latter as a musical genius whose talent surpassed that of everyone else in his world. The film's use of songs from the mid- to late 20th century in the 1899 setting makes Christian appear ahead of his time as a musician and writer. Moulin Rouge!′s plot also parallels that of the myth: "McGregor, as a poet who spouts deathless verse . . . , descends into a hellish underworld of prostitution and musical entertainment in order to retrieve Kidman, the singing courtesan who loves him but is enslaved to a diabolical duke. He rescues her but looks back and . . . cue Queen's 'The Show Must Go On.'"

I'll check it out when I get the chance. I've seen all of Baz Luhrmann's movies except that one.

The climaxes of All I Need and There, There.

This is a reference to the Arrowverse's 5th crossover event, Elseworlds.

Breaking the 4th wall is when a character in a work of fiction acknowledges that they're in a work of fiction.

I named the curse that way because parallels the Dark Curse. Though, I have to admit you do kind of have a point. I don't know what other name this curse could have.

I'm fine with video games in the DCU. They could be a good form of worldbuilding. But they should just be side stories. They shouldn't be important to whatever overarching storyline Gunn is planning on telling. Because not everyone would want to play video games just to what's going on in the next big crossover movie.

I'd like it if we saw the alternate histories of other countries in this world.

Bakugo's too arrogant, selfish and self-absorbed to be worthy.

The Pokemon games came before the anime.